More Discord Nancy

Charcoal, portrait, shouting woman

Discord Nancy Charcoal

I gradually darkened this drawing with layers of charcoal, accentuating the planes and regions of the face. I developed it to make a stencil type portrait which I manipulated digitally and used as a template for a screen print (see below).

Digital portrait, shouting woman, stencil

Discord Nancy Stencil

Digital portrait, shouting woman, stencil

Discord Nancy Roses

Digital portrait, shouting woman, stencil

Discord Nancy Roses-multiples

Digital portrait, shouting woman, stencil

Discord Nancy Pink Roses

Digital portrait, stencil, screen print, shouting woman

Discord Nancy Screen Print

 

Discord Nancy

Portrait, charcoal, digital art, shouting woman, 70's pattern

Portrait, charcoal, digital art, shouting woman, multiples, 70's pattern Discord Nancy 1 & 2

This portrait was drawn in charcoal from a photograph and then manipulated digitally, using scanned fabric from the 1970’s as a collage for her hair, which is so ‘busy’ that I decided to keep the rest of the colours quite simple. Fingers crossed there’ll be more of these…

 

 

 

Wonder

Wonder, Free Space Gallery, Kentish Town Health Centre, art exhibitionFree Space Gallery

Kentish Town Health Centre, 2 Bartholomew Road, London, NW5 2BX
May 2011

Curator Melissa Hardwick

Click here for more information about the Free Space Gallery

Postcards from the Coast of Light

Postcards, Coast of Light, art exhibition, NHS Islington Trust HeadquartersNHS IslingtonTrust Headquarters, 338-346 Goswell Road, London

19th October to 30th December 2010

Edu

I was out at a concert in a bar in the village one night when I noticed a local photographer checking his camera at the bar; he’d taken some really striking portraits of the band and audience in black and white and I was particularly struck by the dark intensity of one of the shots and knew that I must make a drawn version. The photographer very kindly gave his permission, so I set to work with a charcoal version.Portrait of Edu by Kathryn Hockey

Having fixed the first charcoal layer I added to it to make the background and facial shadows more intense.

I then decided to ‘age’ it and to give it more warmth by adding an acrylic wash in a sepia tone and a layer of crackle glaze before applying stains to highlight the cracks.

It took several weeks before I ran into the subject of the portrait and was able to gain his permission to publish the piece, which I cropped close to emphasize the intimate pose.