I gradually darkened this drawing with layers of charcoal, accentuating the planes and regions of the face. I developed it to make a stencil type portrait which I manipulated digitally and used as a template for a screen print (see below).
I gradually darkened this drawing with layers of charcoal, accentuating the planes and regions of the face. I developed it to make a stencil type portrait which I manipulated digitally and used as a template for a screen print (see below).
158 Tollington Park London N4 3AD
January-March 2012
South Wing St Pancras Hospital
London NW1 0PE
June 2011
Free Space Gallery
Kentish Town Health Centre, 2 Bartholomew Road, London, NW5 2BX
May 2011
Curator Melissa Hardwick
Click here for more information about the Free Space Gallery
NHS IslingtonTrust Headquarters, 338-346 Goswell Road, London
19th October to 30th December 2010
El Caballo, Vejer de la Frontera, Cádiz, Spain
September 2009
I was out at a concert in a bar in the village one night when I noticed a local photographer checking his camera at the bar; he’d taken some really striking portraits of the band and audience in black and white and I was particularly struck by the dark intensity of one of the shots and knew that I must make a drawn version. The photographer very kindly gave his permission, so I set to work with a charcoal version.
Having fixed the first charcoal layer I added to it to make the background and facial shadows more intense.
I then decided to ‘age’ it and to give it more warmth by adding an acrylic wash in a sepia tone and a layer of crackle glaze before applying stains to highlight the cracks.
It took several weeks before I ran into the subject of the portrait and was able to gain his permission to publish the piece, which I cropped close to emphasize the intimate pose.