Moo.com had a sale on so I couldn’t resist ordering a set of stickers emblazoned with my ‘circle-friendliest’ designs.
Yay! As they say in the world of Moo…stick ’em up!
Moo.com had a sale on so I couldn’t resist ordering a set of stickers emblazoned with my ‘circle-friendliest’ designs.
Yay! As they say in the world of Moo…stick ’em up!
These cushions are my latest cockerel fabric creations, made with love for Blanca and Alain, my dear friends and neighbours at La Casa del Arco in Vejer de la Frontera
Click here to see a photo of the cushions in their new home
This fabric design evolved from a stencil project I started in 2012,
since when Mr Cockerel has adorned numerous hard and soft surfaces.
Last year I spent many happy hours in the Photoshop turning the original image (above) into several repeating patterns (below)
the last of which got made into a baby cushion in light cotton canvas.
I’ve been really keen to make myself an item of cockerel clothing ever since, so I ordered custom printed fabric samples in several cottons until I was totally happy with the size and colour of the design, and then got cracking with sewing an A-line skirt.
It’s had a very enthusiastic reception and I’m cock-a-hoop!
I was inspired to try and capture the humour and vibrancy of these beautiful and ubiquitous buses when I was in Guatemala in the autumn of 2014.
The buses are imported from the US or Canada once they retire from the school run and are then dolled up and converted, usually by a team of two people, who run them as public transport on specific routes, crammed to the gills with paying passengers, luggage and even livestock, hence the name Chicken Bus.
I used this photo which I took in San Pedro on the shore of Lake Atitlan as my model
I made this rather wonky sketch from the photo and scanned it into Photoshop
I copied the fat side of the wonky sketch, flipping it over to make a symmetrical template
and then set about making a careful pencil drawing
I scanned the finished drawing
and coloured it in Photoshop layers; at this stage the image looked a bit plain and flat
so I added more detail to the pencil drawing, scanned it into Photoshop
and applied the cut out line work over the coloured bus.
I had a lot of fun making 15 different coloured versions of the bus before I’d decided what to write in the destination boxes. In the end I added various invitations and questions (afterall, you can change your destination if you dance or dream) in Spanish before grouping them into three sets of five buses to make simple poems.
The background is scanned paper.
¿Listo? ¡Tranqui! ¿Paz? ¡Gracia! ¡Amor!
(Ready? Calm down! Peace? Grace! Love!)
¡Venga! ¡Guapa! ¡Sueña! ¡Vamos! ¡Vuela!
(Come on! Beautiful! Dream! Let´s go! Fly!)
¿Feliz? ¡Baila! ¿Cuando? ¿Donde? ¿Ahora?
(Happy? Dance! When? Where? Now?)
A friend I´d met on my travels asked where the bullet holes were since Guatemala has a somewhat deserved reputation as a trouble spot, so I added a few to the Peace? bus.
And I’ve just picked up the first paper versions from my printer…lovely colours, thank you Pepe.
Last summer Jackie Cornwall commissioned me to design the cover for her latest novel ‘The Three Witches‘. It’s the first in a series of six books that will make up ‘The Icarus Mendoza Sequence’, a thrilling adventure story spanning three decades of the life of the gifted and troubled Icarus Mendoza.
Jackie told me the outline of the entire sequence, emphazising the themes for each book and the colours she associated with them.
The backdrop to all the books would be the fictional town of San Amaro de la Frontera, which Jackie based on Vejer de la Frontera the beautiful Andalusian pueblo blanco (white village) where we live.
Almost immediately it struck me that the six book covers could feature a continuous townscape, representing constancy and refuge, and that the section of townscape depicted on the front cover of the first book could appear on the back cover of the second book and so on for the entire sequence to make an interlocking set.
A symbol representing the specific adventure theme for each book could then be superimposed over the townscape.
The first preparatory sketch for the six book covers; the vertical symbols looked a bit stiff
I sketched the symbols ‘looming’ to liven up the composition and give them a threatening feeling.
Working from photos I’d taken of Vejer I sketched a montage of views.
I decided to experiment by drawing the townscape in charcoal so that I had a ‘negative’ image
that I could scan into Photoshop, splicing all the sections together and inverting it to make it white. I also removed the background
This turned out to be very labour intensive, I had to draw, scan, invert and splice two extra sections of town before I had an image long enough to cover the estimated length of all six covers.
I wanted to create richly coloured backgrounds with interesting textures so I opted for watercolour paint, using the wet on wet technique on heavy weight paper with a rough grain, referring to the notes I’d made on Jackie’s colour preferences for each book.
The ultramarine watercolour background for ‘The Three Witches’ cover
At this point Jackie clarified which symbols she thought were apt for each book and offered suggestions to replace those which weren’t.
I drew each symbol in pencil and scanned it into Photoshop.
Then I cut out the line work and coloured it to match the background
Finally I added the text.
Here are the finished covers:
And here’s the interlocking set of six again, you can click on it to make it larger.
The Three Witches is a ripping yarn; my favourite quote is
“Dance, like romance, is one of those sweet, cruel mechanisms by which little girls are enticed into a life of slavery.”
It’s available to purchase now on Amazon.
This little cockerel cushion is the latest addition to my ‘textile range‘, made from a fabric sample printed with one of my cockerel designs.
I made the baby cushion as a gift for the recent arrival who lives in the house where I sketched the original cockerel, which turned into a stencil
which has since adorned many walls….
and even a few items of clothing……
I was a bit sad to find out recently that despite his regal appearance the cockerel I drew was firing blanks and was put up for adoption, but he died of shock just before his new owner turned up to claim him….just shows, a cocky exterior hides a multitude of insecurities….
A few months ago I had some fabric samples printed with a few of my designs. I was recently inspired to make these into bunting and cushions to show alongside the digital prints on paper of the same designs which I’m currently exhibiting in the beautiful tea room Chokolata in Vejer de la Frontera.
Here is a cockerel (which started out as a stencil on wood) being sewn with a contrasting border prior to his edges being frayed.

Here is the finished bunting hanging at home. To see photos of the bunting at the exhibition click here

I also made bunting from the fabric sample printed with my 2CV design (which evolved from my ‘7 Days’ illustration project).
Click here to see the bunting at my exhibition.
Here are the cushions.
I backed my printed fabric samples with contrasting velvet, cotton and corduroy to make them go further.
The Dragonfly pattern also evolved from my ‘7 Days’ illustration project.
To see photos of the cushions at my art exhibition in Chokolata click here