So this little number is the result of my third dress making adventure; using a black on beige version of my dragonfly fabric design which I had digitally printed in the UK by Woven Monkey.
I find the boat neck / empire line combination really comfortable and flattering so I’ve continued it here but by cutting the hem straight and splitting the sides I’ve converted the dress into more of a tunic which allows for much more movement below the waist…I can run in this one but long undergarments are essential for the preservation of modesty!
I wanted to make the bodice of this dress more closely fitting which meant putting in more darts and a zip. I opted to put an ‘invisible’ zip in the side seam (right) and thanks to guidance from several YouTube tutorials my first ever attempt worked pretty well.
I also decided to sew on a long black ribbon to accentuate the empire line and add a bit of flounce round the back.
While making my first two dresses – from my Dragonfly (white on grey version) and Horse fabrics – I’d come to love bias binding so I decided to use it to make a contrasting trim around the neck, arm holes and hem on this dress. I was also inspired (by a pair of black, beige and orange shorts I own) to add an orange top stitch to jazz up the black and beige combination.
I’m jolly pleased with my horse dress; the result of my latest adventure in home sewing. It’s a variation of the first dress I ever made (a shift style sewn from my dragonfly fabric) and since I mastered the use of bias binding on that project I decided to make an external feature of it this time; embellishing it with contrasting stitching.
The horse motif was inspired by the extraordinarily beautiful hand painted artwork I saw when Carter’s Steam Fair visited Maldon in Essex.
I made a pencil drawing (left) using my photos for reference, taking a morbid turn by adding the skeleton of the horse as part of the decoration.
I vectorised the drawing in Illustrator, used Photoshop to colour it and make the repeat pattern, which I then had printed onto a light cotton by the lovely folk at Woven Monkey.
The dress feels lovely on, here’s me posing about in it on my 50th birthday.
Could it possibly be said that I’m flogging a dead horse? You bet!
I just made myself this dress with fabric printed with a version of the dragonfly design I made back in 2014.
I uploaded my design to the Woven Monkey website and they printed it onto a lightweight cotton.
It’s the first dress I’ve ever made; patterns give me the heebeegeebees so I cut round one of my favourite dresses and made the rest up as I went along.
It was also the first time I’ve used bias binding as I’d previously imagined it to be a right faff but there really is no other way to neatly finish neck and armholes. I watched a couple of tutorials on YouTube and bit the bias binding bullet; it’s actually quite straightforward and I’ll definitely be using it more in the future.
Here’s me doing ‘catalogue’ poses in Cádiz this week, during the dress’s first outing.
the last of which got made into a baby cushion in light cotton canvas.
I’ve been really keen to make myself an item of cockerel clothing ever since, so I ordered custom printed fabric samples in several cottons until I was totally happy with the size and colour of the design, and then got cracking with sewing an A-line skirt.
It’s had a very enthusiastic reception and I’m cock-a-hoop!
A few months ago I had some fabric samples printed with a few of my designs. I was recently inspired to make these into bunting and cushions to show alongside the digital prints on paper of the same designs which I’m currently exhibiting in the beautiful tea room Chokolata in Vejer de la Frontera.