Catching the full moon, as it rises bulbous on a clear night is most uplifting.
It’s so large when it’s low that I can almost feel the weight of its pull. Being made of mostly water I probably can feel that pull…
This is the view over our neighbours’ garden through the evergreen border bushes, and while the pylon may not be conventionally beautiful there’s drama in the contrast of its strict geometry behind the softer silhouette of the branches.
It’s easy to make excuses not to sketch: my shoulder hurts, the weather’s too hot, the weather’s too cold, too wet, too windy, it’s winter – I’m uninspired, there’s nothing to see…
Then I started to pay attention to how beautiful the sky can be as the winter sun sets behind skeletal trees. Its position slightly shifting everyday so that eventually it’s setting over the road and visible from my bedroom window, which has a radiator under it.
So with no discomfort excuses I succumbed to the urge to try and capture this lovely view. I drew the trees in water resistant pen at a leisurely pace and left my sketchbook on the windowsill with my brushes, a jar of water and my paint box so that the next time the sunset was dramatic I could quickly paint the watercolour wash over the top.
I repainted this version so that I could sell the painting without disfiguring my sketchbook and it’s now my plan to redraw the trees in preparation for a new attempt next time there’s drama in the sky.
This view over the Essex countryside to Osea Island is one of my Dad’s favourites. He collected those stones and placed them around the base of the trees over many, many years during many, many dog walks. So I was delighted to be able to paint it for him as a birthday gift.
I worked from photographs; starting with a pencil drawing which I overlaid with water resistant pen before adding washes of watercolour paint.