Here’s a new version of the portrait of Yuki the dog; first I used collage to fill an outline and then I redrew the collage
I gradually darkened this drawing with layers of charcoal, accentuating the planes and regions of the face. I developed it to make a stencil type portrait which I manipulated digitally and used as a template for a screen print (see below).
This portrait was drawn in charcoal from a photograph and then manipulated digitally, using scanned fabric from the 1970’s as a collage for her hair, which is so ‘busy’ that I decided to keep the rest of the colours quite simple. Fingers crossed there’ll be more of these…
I was out at a concert in a bar in the village one night when I noticed a local photographer checking his camera at the bar; he’d taken some really striking portraits of the band and audience in black and white and I was particularly struck by the dark intensity of one of the shots and knew that I must make a drawn version. The photographer very kindly gave his permission, so I set to work with a charcoal version.
Having fixed the first charcoal layer I added to it to make the background and facial shadows more intense.
I then decided to ‘age’ it and to give it more warmth by adding an acrylic wash in a sepia tone and a layer of crackle glaze before applying stains to highlight the cracks.
It took several weeks before I ran into the subject of the portrait and was able to gain his permission to publish the piece, which I cropped close to emphasize the intimate pose.